Art feels like something I inherited, not something I chose. Visual art, in particular, has always been at the core of who I am. I pursued it because it’s what I’ve always wanted to do, and I’ve remained focused despite others telling me otherwise.

And in that way, I’ve never really questioned my art or my path. It’s a central part of who I am. I love creating, I love the process, and I love sharing both the journey and the results with others.

Yet, despite all this, I still have doubts. I face them every day. But my doubts are more about whether making art is a viable career. I don't yet make a living from my art. I work other jobs and pour my resources into my art. I’m still striving to build the artist life I want, and at times, it feels exhausting. My love of art and stubbornness keep me pushing forward.

What in your chosen art form gives you joy these days?

For many years, woodcut printmaking has been my primary visual art form. It’s practical, physical, and simple. When I sit down to carve and create, I always feel like I’m in the right place. There is an energy I have found in that space that always invigorates and excites me.

But recently, I’ve found another type of art that’s become even more rewarding—my work within the community. Teaching printmaking workshops has grown into a true passion of mine. I’m also currently the president of Seattle Print Arts, a small, volunteer-run 501(c)3 nonprofit. Working with this organization to build a community around printmaking and create opportunities for print artists has become a bright and fulfilling part of my life.

What would you say to encourage an absolute beginner who is considering taking your Mokuhanga class?

Mokuhanga is truly magical— a delicate art form that yields bold results. It’s fascinating to explore the intricacies of such a refined technique. Rooted in a time when life was deeply connected to nature, it offers a glimpse into how art, culture, and nature were once so intertwined, which is a beauty in itself.

For anyone curious about Japanese woodblock, I highly encourage taking this course, regardless of whether you consider yourself an "artist" or not. My classes are designed with accessibility in mind, and I often have a mix of beginners and advanced students coming together to experience the wonders of Mokuhanga.

Can you share a bit about your background, such as how you opted to come to Cornish in Seattle? How long have you been in the Pacific Northwest now?

I grew up in the Twin Cities of Minnesota. My mother was a graphic designer, illustrator, and artists herself, which had a huge impact on me. There were always art materials lying around, and I was encouraged to create all the time.

Minneapolis is home to a great public arts high school called Perpich, which I’m fortunate to have attended. It was there that I was first introduced to printmaking, and through Perpich, I had the opportunity to take classes at High Point Center for Printmaking, which solidified my passion for the medium at a formative age.

What initially drew me to Cornish was Seattle itself. Cornish was a popular choice for Perpich students, as both schools offered a range of art disciplines—music, visual art, dance, theatre—and Cornish did a great job of recruiting. I’ve now lived in Seattle for 18 years, half my life.

Cornish has a strong print program, something I am very grateful to have experienced. It continues to influence me to this day. I was fortunate to be exposed to Mokuhanga, a rare printmaking technique that is seldom taught. The school’s connection to the Seattle art scene also helped me build an art practice beyond the college walls.

What motivated you to apply for the Showcase program at Northwind's gallery in PT?

Last summer, I participated in the Artist Residency Program at Centrum, and I was immediately charmed by the experience. I had a very productive two weeks, and found Fort Worden and Port Townsend to be incredibly inspiring. However, it was the Open Studio Tour organized by [artist and teacher] Jen [Cohen] and the Raw Art Collective that really made me consider returning to Port Townsend.

As an artist in residence at Centrum, I had the opportunity to open my studio to the public, and the response was amazing. We had a steady flow of art-curious visitors all day, and I could feel the positive energy in Port Townsend. Jen told me about Northwind, so I decided to check it out and pitch the idea of teaching a couple of classes. When the Showcase program caught my attention, I saw an opportunity to combine having a show with teaching, and decided to apply!